Albert Bierstadt (January 7, 1830 – February 18, 1902) was a German American painter best known for his lavish, sweeping landscapes of the American West. He joined several journeys of the Westward Expansion to paint the scenes. He was not the first artist to record the sites, but he was the foremost painter of them for the remainder of the 19th century.
Frederic Edwin Church was an American landscape painter born in Hartford, Connecticut. He was a central figure in the Hudson River School of American landscape painters, best known for painting large landscapes, often depicting mountains, waterfalls, and sunsets.
Posted onAugust 30, 2022|Comments Off on American Paintings: Battle of the Chesapeake by Patrick O’Brien
Patrick O’Brien has been a full time professional artist and illustrator since the mid-1980s. His art has appeared in magazines and newspapers, on posters and greeting cards, and even on billboards.
Posted onMarch 8, 2022|Comments Off on The Painted Perfection Of Maxfield Parrish (Video)
Early on in the Unsung Heroes series I featured American illustrator Maxfield Parrish. But in truth he’s not all that unsung, and in the USA in particular he is considered one of the all time greats, with good reason.
Daybreak
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Posted onOctober 6, 2021|Comments Off on American Paintings: Trick or Treat by Jon McNaughton
This may be the scariest political painting of all time! From left to right: Joe Biden, Kamala Harris, Chuck Schumer, Nancy Pelosi, Hillary Clinton, Jeffrey Epstein, Bill Clinton, Barack Obama, Jerry Nadler
The Scariest Halloween painting of all time. Have you seen? Did it make you laugh or make you scream?
A haunted building for the Acussator Was once a place of great rapport. Fenced from within and now from without, We have no idea what they’re talking about.
The mummy of this ghoulish troupe Fills his bucket with treats and goop. Follow his lead and ask for treats, But his tricks are filled with painful deceits.
She holds the keys that were once procured, The potions and spells that have occurred. And in the future she may announce A coveted chair in the People’s House.
Posted onJanuary 9, 2020|Comments Off on American Paintings: The Return by Thomas Cole w/Video
“The Return” by Thomas Cole. In 1836 William Paterson Van Rensselaer commissioned Thomas Cole to produce a pair canvases representing morning and evening. The Departure, set in summer, depicts a lord leading a detachment of knights on some valiant crusade. The Return, an autumn landscape, shows him being carried to church on a stretcher, trailed by a lone escort and his riderless horse.
Posted onDecember 19, 2019|Comments Off on American Paintings: Sierra Nevada Morning / Albert Bierstadt. 1870 (w/ Video)
Albert Bierstadt (January 7, 1830 – February 18, 1902) was a German-American painter best known for his lavish, sweeping landscapes of the American West. He joined several journeys of the Westward Expansion to paint the scenes. He was not the first artist to record the sites, but he was the foremost painter of them for the remainder of the 19th century.
Posted onNovember 27, 2019|Comments Off on American Paintings: Summer Afternoon by Asher Brown Durand w/Video
Durand’s landscapes were so popular that they were often acquired by enthusiastic collectors almost as soon as the artist finished painting them. Morris K. Jesup, who commissioned this painting, also owned “The Beeches” (15.30.59) and several other important pictures by artists of the Hudson River School. In this view of luminous water and misty distance, he demonstrated how carefully he analyzed the subtle changes taking place in nature and showed how well he knew the technical secrets of depicting them.
Posted onNovember 25, 2019|Comments Off on American Paintings: Thomas Cole, The Architect’s Dream w/Video
The Architect’s Dream is an 1840 oil painting created by Thomas Cole for New York architect Ithiel Town. Cole incorporated pieces of architecture from Egyptian, Greek, Roman, and Gothic styles in various different parts of the painting, having dabbled in architecture previously.[1] Cole finished the painting in only five weeks and showed it in the National Academy of Design annual exhibition that year.